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Old 12-23-2019, 01:10 PM   #181
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Bringing Palpatine back just felt like an act of desperation because Johnson had killed Snoke and they needed a big antagonist for ROS. Bigging up Snoke in TFA, casually killing him in TLJ and then bringing back Palpatine without an explanation in ROS ... it's just a mess. No way they designed it that way.
I can’t believe they would actually make 3 movies like this. I don’t understand this belief that there was no over arching plots and character arcs for the 3 movies with the directors given freedom within those bounds to do what they wanted.

It would be just stupid to try to do that. They also continually fired directors so there is no way the higher ups just let Rian go rouge and change everything that JJ had planned. Especially when the same company also owns a studio that just planned a 30 movie 10 year interconnected universe.

I don’t know if Occam’s razor or Hanlon’s is more appropriate to apply.
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Old 12-23-2019, 01:15 PM   #182
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I'll just quote Daisy Ridley. Express sucks but only the direct quotes matter.

"Here’s what I think I know. JJ (Abrams) wrote Episode VII, as well as drafts for VIII and IX. Then Rian Johnson arrived and wrote The Last Jedi entirely. I believe there was some sort of general consensus on the main lines of the trilogy, but apart from that, every director writes and realises his film in his own way. Rian Johnson and JJ Abrams met to discuss all of this, although Episode VIII is still his very own work. I believe Rian didn’t keep anything from the first draft of Episode VIII."

https://www.express.co.uk/entertainm...t-Daisy-Ridley

mind you, no idea how accurate this is and if this was taken out of context or whatever. But yeah, after watching the trilogy, I wouldn't be surprised. It very much felt like Johnson straying far from what Abrams wanted and then it was time to scramble in IX to somehow get out of it okay.

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Old 12-23-2019, 02:06 PM   #183
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I'll just quote Daisy Ridley. Express sucks but only the direct quotes matter.

"Here’s what I think I know. JJ (Abrams) wrote Episode VII, as well as drafts for VIII and IX. Then Rian Johnson arrived and wrote The Last Jedi entirely. I believe there was some sort of general consensus on the main lines of the trilogy, but apart from that, every director writes and realises his film in his own way. Rian Johnson and JJ Abrams met to discuss all of this, although Episode VIII is still his very own work. I believe Rian didn’t keep anything from the first draft of Episode VIII."

https://www.express.co.uk/entertainm...t-Daisy-Ridley

mind you, no idea how accurate this is and if this was taken out of context or whatever. But yeah, after watching the trilogy, I wouldn't be surprised. It very much felt like Johnson straying far from what Abrams wanted and then it was time to scramble in IX to somehow get out of it okay.


I kind of find it hard to believe though. Aren’t all of these mega-budget movies written somewhat by committee? To think that nobody had eyes on this or tried to steer it back in place before filming began is kind of bizarre. They fire directors all the time. If they thought this was going totally sideways, they could have replaced him and fixed the script. Delay the film if that’s what it took.
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Old 12-23-2019, 02:12 PM   #184
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Rian had Kennedy’s full backing on TLJ because she particularly enjoyed his character treatments. That is also why Kennedy is president only in name at this point.
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Old 12-23-2019, 02:15 PM   #185
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I can’t believe they would actually make 3 movies like this. I don’t understand this belief that there was no over arching plots and character arcs for the 3 movies with the directors given freedom within those bounds to do what they wanted.

It would be just stupid to try to do that. They also continually fired directors so there is no way the higher ups just let Rian go rouge and change everything that JJ had planned. Especially when the same company also owns a studio that just planned a 30 movie 10 year interconnected universe.

I don’t know if Occam’s razor or Hanlon’s is more appropriate to apply.
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I'll just quote Daisy Ridley. Express sucks but only the direct quotes matter.

"Here’s what I think I know. JJ (Abrams) wrote Episode VII, as well as drafts for VIII and IX. Then Rian Johnson arrived and wrote The Last Jedi entirely. I believe there was some sort of general consensus on the main lines of the trilogy, but apart from that, every director writes and realises his film in his own way. Rian Johnson and JJ Abrams met to discuss all of this, although Episode VIII is still his very own work. I believe Rian didn’t keep anything from the first draft of Episode VIII."

https://www.express.co.uk/entertainm...t-Daisy-Ridley

mind you, no idea how accurate this is and if this was taken out of context or whatever. But yeah, after watching the trilogy, I wouldn't be surprised. It very much felt like Johnson straying far from what Abrams wanted and then it was time to scramble in IX to somehow get out of it okay.
My take was the character outcomes were always the same but directors had freedom on how to get there with the exception that each of the OT characters was supposed to have "their" movie.

So I think what was mapped out was (and this was talked about publicly):

TFA - Hans Movie
TLJ - Luke's Movie
TROS - Leia's Movie

And I think the character arcs/growth was largely going to be the same.

The new characters all seemed to have an arc directly tied to / or kind of proxying a character in the OT.

Rey = OT Luke: Character that is not 100% sure of their past or who they are. Strong force user that has a lot of confidence, but can also be impulsive and vengeful. Going to have to confront fear of "where they came from".

Finn = OT Hans: Initially a character that is just in it for themselves, then they are just trying to save the "girl" (Leia/Rey), and then as time passes they start to believe in the rebellion and the need to fight for something "bigger". There was always lots of debate of if Hans was force sensitive in the OT, and now with Finn they went that route.

Poe: Doesn't really have a proxy in the OT in terms of character arc but is meant to be a story to help give Leia a bigger role, and he's going to be the successor to her as the general. This goes back to TFA where it was Leia that hid the message in R2-D2 that got to Luke, and here it's Poe that hid the message in BB-8 that got to Rey.

Kylo = Anakin: Strong force user that was corrupted by the true villain(technically Palpatine in both now I guess) but then has a redemption story due to the constant conflict he had.

And the OT characters all had a bit of the "learning from the past" angle to them

Luke = It's a bit of a merge of Yoda & Obi-Wan's roles from ANH & ESB combined with his fathers redemption arc from the OT.

He like the previous Jedi masters is in hiding due to mistakes made with his apprentice (Anakin/Ben), and is reluctant to help train the young Jedi when they now appear (Yoda & Luke , Luke & Rey). But in the end he help's train the youngster and almost together Luke/Yoda realize they need to confront past mistakes and their fear to help win against the Sith.

Hans / Leia: In Star Wars "It's like poetry, they rhyme" and I think with the Hans / Leia / Kylo arc they did it in a really interesting way in this trilogy. In the OT it was the villian realizing he had two kids still alive (Luke/Leia) that drove him to his redemption.

They did the opposite angle in this movie. It was the death of both his parents (Leia/Hans) that was the spark for Kylo's return to the light side.

I think those character arcs are actually pretty consistent across TFA / TLJ / TROS.

What I think felt more jarring was not the actual character arcs but the director styles. Rian was more about character development, slower paced, and maybe less direct connection to the OT plot lines (But still connected).

JJ was more about the overall Star Wars plot than the characters, his movies were much faster paced, and he liked to be more obvious with how he tied things to the nostalgia of the past.

As for the Palpatine reveal this was Rian's take on it at the time:

Quote:
For me, in that moment, Kylo believes it’s the truth. I don’t think he’s purely playing chess. I think that’s what he saw when they touched fingers and that’s what he believes. And when he tells her that in that moment, she believes it.

The easiest thing for Rey and the audience to hear is, ‘Oh yeah, you’re so-and-so’s daughter.’ That would be wish fulfillment and instantly hand her a place in this story on a silver platter. The hardest thing for her is to hear she’s not going to get that easy answer.
This was from January 2018 and the way he answered the question already made it seem like he was leaving the door open for her still to have a backstory of it being bigger than that.

"Kylo believes it's the truth"

"I don't think he's purely playing chess".

Those both feel like he's hinting that it's not fully the truth. I think he knew the expectation was that there was the potential she would have her parentage revealed in Episode 8 and not doing it then was a "bigger" twist.

(I made a previous post on this (here) but I do think that the points that Rian was actually trying to make in TLJ were missed because he actually tried to be a bit too subvert about it.)

And one thing that aligns with Palpatine always being the plan for the third act is that historically in each of the three trilogies Palpatine's true form was never revealed until the third movie of the trilogy (Once again it Rhymes).

Original Trilogy: Briefly mentioned in ANH, Palpatine appears briefly as a hologram in ESB (~1 minute of screen time), actual in person Palpatine in ROTJ revealing his true form

Prequel Trilogy: TPM he appears as Senator Palpatine, AoTC he's still appearing as the Senator, ROTS is when it's finally revealed that Palpatine is actually Darth Sidious.

Sequel Trilogy: TFA Snoke appears as a halogram, TLJ - Snoke appears in person, TROS - it's revealed that Palpatine was pulling the strings from the shadows all along. (Leia even references the call back about how Palpatine is always in the shadows pulling the strings).

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Old 12-23-2019, 02:22 PM   #186
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I kind of like how each new trilogy added changes the overall narrative/focal point of the saga.

Episode 4-6 - A story about Luke Skywalker

Episode 1-6 - A story about Anakin Skywalker

Episode 1-9 - A story about Emperor Palpatine
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Old 12-23-2019, 02:26 PM   #187
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I kind of find it hard to believe though. Aren’t all of these mega-budget movies written somewhat by committee? To think that nobody had eyes on this or tried to steer it back in place before filming began is kind of bizarre. They fire directors all the time. If they thought this was going totally sideways, they could have replaced him and fixed the script. Delay the film if that’s what it took.
also have to remember than Johnson was initially hired to direct both VIII and IX. In that case, it makes more sense for him to stray from Abrams' setup in VII, so that he can get things set up for "his" episode IX. But then Abrams came back.

bottom line, just let one guy do the whole trilogy and stick to one coherent plan.
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Old 12-23-2019, 02:30 PM   #188
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also have to remember than Johnson was initially hired to direct both VIII and IX. In that case, it makes more sense for him to stray from Abrams' setup in VII, so that he can get things set up for "his" episode IX. But then Abrams came back.

bottom line, just let one guy do the whole trilogy and stick to one coherent plan.
Was he ever attached to episode 9?

I thought it was 7 - Abrams , 8 - Johnson, 9 - Trevorrow

Then Trevorrow was fired right before TLJ came out in 2017.

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Old 12-23-2019, 02:33 PM   #189
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Was he?

I thought it was 7 - Abrams , 8 - Johnson, 9 - Trevorrow
yeah looks like you're right and Johnson was only going to be involved with the script. My bad.
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Old 12-23-2019, 02:50 PM   #190
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One thing Episodes 7-9 did for the Star Wars universe was made it feel like the galaxy was very small. It felt like they could hyperspace jump to far away planets in minutes or even seconds. Even in this movie the Falcon was able to jump to all the "core systems" and bring reinforcements to Exogal (a system that was supposed to be in the unknown regions of the galaxy) in what felt like a couple of hours.

I think is is partly a JJ Abrams thing, I had the same issue with the Star Trek movies he did. It's like he has no concept of distance or time in his movies. Really even going back to when he did Alias people were hopping all over the globe and back.
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Old 12-23-2019, 03:10 PM   #191
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I think is is partly a JJ Abrams thing, I had the same issue with the Star Trek movies he did. It's like he has no concept of distance or time in his movies. Really even going back to when he did Alias people were hopping all over the globe and back.
I don't know it's been that way forever in Star Wars though with the ability to go into hyperspeed.

In the OT Luke was able to make it from Hoth, to the hidden planet of Dagobah (that was far enough away that the Empire couldn't find him), then back to Cloud City in time to save his friends.
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Old 12-23-2019, 03:12 PM   #192
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If there's any evidence Palpatine was planned before the trilogy started, Snoke was his decoy & Ray was going to be a Palpatine, I'd love to see it. I dont see that being the case.
I think a bunch of people suspected her of being a Palpatine, including on this forum, due to her fighting style and other things like that.
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Old 12-23-2019, 04:13 PM   #193
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Since Ashoka Tano was one of the jedi speaking to Rey at the end of the film, does that confirm that Ahsoka is dead by this time?
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Old 12-23-2019, 04:19 PM   #194
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That was decent enough. I suppose my nitpicks would be the force ghosts affect the real world and wondertwin teleportation powers activate. Outside of that good. Painted into a corner for the big bad so recycling the emperor had to happen.
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Old 12-23-2019, 04:54 PM   #195
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I don't know it's been that way forever in Star Wars though with the ability to go into hyperspeed.

In the OT Luke was able to make it from Hoth, to the hidden planet of Dagobah (that was far enough away that the Empire couldn't find him), then back to Cloud City in time to save his friends.

It kinda matches up with Han and Leia making their way to Cloud city with no hyperdrive.
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Old 12-23-2019, 09:28 PM   #196
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I just finished watching this. I found it...watchable.

I felt that I spent a lot of the film going "WTF?" mentally.

Is it a bad movie? No. But for me, it seems like it was just...eh...

It sure didn't feel like the end of a 42 year franchise.
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Old 12-23-2019, 10:19 PM   #197
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Since Ashoka Tano was one of the jedi speaking to Rey at the end of the film, does that confirm that Ahsoka is dead by this time?
Yes but at this point in the timeline it shouldn’t be surprising that she’s dead. I always assumed this was after her time.

I’d love to see her story resolved.
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Old 12-23-2019, 10:23 PM   #198
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We're going to see a big part of her story resolved in February. I expect at some point Disney will roll out an animated Ashoka and Sabine series.
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Old 12-23-2019, 10:37 PM   #199
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That would be great. I’d love to see what became of Ezra and Thrawn as well.
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Old 12-23-2019, 11:08 PM   #200
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It makes me wonder if there's a division of properties now.


In the OT we saw a lot of EU characters that then moved into the Clone Wars cartoons.


We did see Chopper and the Ghost in TFA and the Ghost in the latest movie.


But I think there's a dividing line on major characters.


I have this feeling though that if they ever did a series on Ezra and Ashoka it would take place in the Unknown Regions which is where the first order was founded.


I also expect there will be a ton of heart break in the last season of Clone Wars.


We might also get a final answer on what happened to poor Cody.
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