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Old 02-12-2014, 07:54 AM   #101
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Fight club had a twist in that Edward Norton's character was actually Brad Pitt that had not been done before that if I recall correctly. Otherwise it wasn't really noteworthy in my mind. There was no moral musing to dwell over and you were not left with anything to consider. Just this guy who fights with other people in an underground boxing club.
To me there are rather clearly two main topics in Fight Club that everything else revolves around, and both of them are very interesting and give much food for thought.

1) How and why people form cults and how are cult leaders born.

This is not the main topic really, but since it's such an important part of the backstory, it comes first.

The Fight Clubs story starts by depicting the life of the cult leader before anyone could imagine that he would become one, and ends with what is typically the end of such a cult, their act of terrorism (So it's not really subtle.) It's really well done and puts together many well-known elements of cults, while adding some interesting views on the dynamics of a cult and it's leader, as depicted in the split personality of the Narrator/Tyler Durden.

Calling the split personality thing a plot twist is really selling the idea short, it's much more than that. Many of the films comments about masculinity and/or the Narrator are made through this unusual dynamic. (As an obvious example; to get laid the Narrator needs to become Tyler Durden, who then literally needs to shut the door on his old self to get on with the sex. I'm not saying that it's a great message, but there is still clearly a point to it all.)

The whole group therapy thing is also pretty interesting as a whole. The way Marla and the Narrator "abuse" group therapy could have easily offered enough material for one pretty interesting movie, but it also serves to juxtapose a "feminine" way of dealing with your emotions with the Narrators future "masculine" solution of creating the Fight Club. (The "feminity" of group therapy is pretty blatantly underlined by giving Bob breasts. He has "literally" turned into a woman.)

In his "fight" outside the bar, the Narrator somewhat accidentally touches a upon something that resonates with not just himself, but other men like him. It's almost like a fuse is lit. Suddenly there's vibrance and life, an emotional outlet for their frustration, a powerful group identity, an explanation to everything that they feel confused about. Suddenly, he is also the center of attention.

The movie makes a very strong and interesting statement that a doomsday cult leader is not necessarily a crazy person in the evil sense. Crazy yes, but mostly in a way where he has largely lost sight of reality and where it's all going. By making Tyler Durden literally another personality of the Narrator, it also kind of states that a cult leader is really sort of born out of the circumstances, maybe even more than his personal background. So for example, trying to understand a cult leader by understanding his previous life (which is what the media for example generally does) could to some extent be a fools errand. It's an interesting point, and you could twist it in many ways.

I'll get to the main topic now.

2) Modern masculinity (and violence)

This topic is a little dated, since most of the current Mens Rights movement was basicly born after this movie. (The ######bag part of it I would imagine largely by people who went "F*** YEAH! THAT'S HOW I FEEL!" when seeing the movie, completely missing out on the fact the men in the Fight Club are either sad, insane or both, and that it all ends badly.)

The most important topic is the question, "is violence an essential part of masculinity", which is a good question, and quite relevant in an age where we our relationship with violence and male aggressiveness has become very, very complicated.

What's cool is that the movie does not give easy answers on these topics.

On one hand the men in the movie clearly get a lot out of the Fight Club. This is not just told, but also the movie makes a point in trying to get you into the whole thing, feeling how cool the aggression is, trying to make you really feel the atmosphere of the club.

On the other hand, the club/cult starts to feed the destructive tendencies of it's members outside of the club. They become more aggressive, and start to turn towards pretty much anyone that pisses them off. It starts with simple pranks, and ends in blowing up skyscrapers. The end is a bit of a hyperbole, but it's movie, not a documentary or an academic thesis, or a book (which has a different ending).

As to the character of Marla and the "lack of women":
Since the movie is mainly about men trying do deal with masculinity, there really isn't much room for females in the story.

Also; all the men in the movie are either crazy (the Narrator), kind of pathetic (Bob, most of the men in the club) or imaginary (Tyler). Actually, they're pretty much two out of three.

So while, Marla is sad and a badly broken person, in comparison to most of the characters she could even be called levelheaded. In any case, she's the harmless kind of crazy. Which I think is not an accident. The group therapy / feminity thing isn't necessarily helping that much, but at least Marla isn't out there blowing stuff up.

Also; If Marla was depicted as a more wholesome / healthy person, she would most almost certainly ended up as one of the infamous "tropes against women".

Of course it's a valid point that Marla "falls for the bad boy" in a way that's more than a little misogynistic, and I'm not really defending that. I'm just saying that I don't think there was no room for a healthy person in this movie, and really the way she represents women in this movie isn't terrible, in comparison to everythign else that's going on.


So there's a short version of what the movie made me think about. YMMV, obviously

It's also quite entertaining, Norton and Pitt are excellent and even the soundtrack is pretty good. (Especially the way they use Goin' Out West by Tom Waits.)

(Btw, the stuff about consumerism, while not irrelevant, is IMO more of a lead up to the actual topic than a topic in itself. Basicly the lead up as I see it goes something like this: consumerism tries to offer you things to fill your emotional holes. It's really just unhealthy. Now here's a particular emotional hole we want to dig into: lack of masculinity.)
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Old 02-12-2014, 08:21 AM   #102
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Fight Club (The scene where Norton is beating himself up in the parking lot, which starts fight club, doesn't make any sense. If you saw a guy beating himself up in a parking lot would you ask to join his club? This is a stupid scene and without it the rest of the movie wouldn't happen.)
Wolf of Wallstreet (HATE every character!!!)
Her
The Big Lebowski (Don't get the cult following)
2001 a space odyssey (Impressive for its time as far as effects go but sooooo boring.)
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Old 02-12-2014, 08:26 AM   #103
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I thought The Matrix was overrated.
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Old 02-12-2014, 08:34 AM   #104
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Hate is a rather strong word, but here is a list of moves I generally dislike more than othes.

The Hobbit movies (most people on this board seem to like them).
Harry Potter
Robocop
The Kill Bill movies
Death Proof
The Hangover
Fight Club
The Departed
Return of the Jedi (some good moments, many bad ones)
Full Metal Jacket
The Shining
Monty Python and the Holy Grail
Point Break
The Sixth Sense
A Beautiful Mind
Donnie Darko
The Graduate
Crash
Napoleon Dynamite
Slumdog Millionaire
Judd Apatow movies
Avatar
Superbad
Transformers (even the first one sucked)
Anchorman
Batman (the Tim Burton versions)
Tree of Life
Mystic River
Platoon
Fast Times at Ridgemont High
The Grudge
The Thin Red Line... or really anything with Sean Penn in it

Then of course there is Shawshank Redemption... a very good movie don't get me wrong, but it's not nearly the best so many claim it to be.
So you hate...movies...?

For me it's most Tarantino stuff. I like Basterds, Pulp Fiction, and Resevoir Dogs. Can't get through the others.
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Old 02-12-2014, 08:48 AM   #105
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Every single Christopher Nolan movie except Batman Begins, and maybe Insomnia.

His movies are all style and no substance. They're full of bs moral dilemmas involving forced situations that make no sense outside of a movie. The plots don't hold up to any scrutiny, especially Inception.
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Old 02-12-2014, 08:51 AM   #106
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Quote:
Originally Posted by J Diddy View Post
Fight Club (The scene where Norton is beating himself up in the parking lot, which starts fight club, doesn't make any sense. If you saw a guy beating himself up in a parking lot would you ask to join his club? This is a stupid scene and without it the rest of the movie wouldn't happen.)
True. Technically it should have been Tyler or the Narrator vs. Somene else, and I would have preferred that they did it differently.

That said:
- It's only stupid in retrospect, so it's not all bad. (weak defense though)
- Realism is not a big part of that movie anyway.
- It's possible to enjoy movies which have some stupid scenes.
- If you need to fix the movie in your head, we could argue that it's not what happened. The Narrators delusions occasionally/originally projected Tyler on varying people around him. Maybe there even originally was some kind of a Tyler-figure in the Narrators life, who's fate we don't know. (Probably either the Narrator killed him in jealousy or really went nuts after he was abandoned by Tyler and refused to accept this reality, but rather created his own).
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Old 02-12-2014, 08:57 AM   #107
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Every single Christopher Nolan movie except Batman Begins, and maybe Insomnia.

His movies are all style and no substance. They're full of bs moral dilemmas involving forced situations that make no sense outside of a movie. The plots don't hold up to any scrutiny, especially Inception.
You don't like Memento?

I need to add Django Unchained to my list. Jamie Fox is the worst.
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Old 02-12-2014, 09:00 AM   #108
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Not really a fan of American Hustle. I thought it was long and dragged out. I also found Bradley Cooper's character highly annoying and unrealistic.
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Old 02-12-2014, 09:02 AM   #109
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Citizen Kane.

Watched it for a film class. f***ing rosebud. Who cares?
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Old 02-12-2014, 09:09 AM   #110
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The Dark Knight
District 9
Think Like a Man
Anything with Jim Carrey
Anything with Will Farrell
All Star Wars movies are slightly over rated
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Old 02-12-2014, 09:29 AM   #111
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Recently saw Hunger Games 1, didn't like it. I felt no emotion at all and was just glad it ended and couldn't care a thing about the tributes dying.
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Old 02-12-2014, 09:44 AM   #112
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Never cared for the Indiana Jones movies. Yawn.
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Old 02-12-2014, 09:56 AM   #113
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So you hate...movies...?

For me it's most Tarantino stuff. I like Basterds, Pulp Fiction, and Resevoir Dogs. Can't get through the others.
No I just find them overrated, and like them less than most people do. Doesn't mean I hate all of them though.

A couple others

Psycho, Hitchcock is probably my favorite director, but Psycho was not one of the better movies. I can name at least ten better movies he directed. Maybe it was shocking in his day, but it doesn't compare well to his best.

Silence of the Lambs. Mostly because of Anthony Hopkins and his overrated performance. Jodie Foster was good, and I enjoy the procedural stuff. But some say Hopkins' performance was amazing, but you see similar over-the-top performances in many similar movies. His back and forth with Foster was great, but the rest of his work lacked.

Caddyshack. Most of the secondary characters are good, especially the stuff with Ted Knight and Rodney Dangerfield, but the Danny Noonan character ruins the movie. Typical 80's character, and I can't stand much of the movie because of it. The other caddies are incredibly annoying as well.
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Old 02-12-2014, 10:06 AM   #114
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I don't hate it, but I'll agree it's definitely really overrated and has serious problems.

My choice is the Phantom Menace. I know not everyone loves it, and most hate it, but never pass up an opportunity to state your hatred for The Phantom Menace.
Is there anyone who even likes that movie?

For me, I don't give a crap about True Romance. Scarface is a piece of crap as well.
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Old 02-12-2014, 10:07 AM   #115
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Taxi Driver was meh as well.
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Old 02-12-2014, 10:16 AM   #116
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Blade Runner was another one that I wanted to be so much better.

And Super Troopers sucked.
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Old 02-12-2014, 10:25 AM   #117
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American Hustle
Zero Dark Thirty
Lincoln
The Tree of Life
Winter's Bone
The Blind Side
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Old 02-12-2014, 10:27 AM   #118
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One of my favourite films. Affected me deeply as well. Just watched it again recently.

I can see why people might not like it though.
Spoiler!

Maybe i was just young and didn't really get it. But it was the first movie that I shut off half way through. To me I was just bored. Nothing happened, and it felt just depressing. Now that I'm older and have travelled a bit, maybe I'll get more out of it, but it's not really on my list to try and watch again.
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Old 02-12-2014, 10:33 AM   #119
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This thread makes me very sad.
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Old 02-12-2014, 10:41 AM   #120
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"Propeller guy" is the only reason to watch Titanic.
I think the best is at the end.

"I'll never let you go."
*Push*
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