Los Lobos, the Grammy-winning East L.A. band, announces the release of their brand new studio album, Tin Can Trust, to hit streets on August 3, 2010. With Tin Can Trust—Los Lobos’ first release for Shout! Factory and first collection of new original material in four years — the venerable quintet once again redefines itself and expands its scope, while never losing sight of where they come from.
This is a specially-priced (in this instance “specially” means “less-expensively”) combo-pack of the David Cross CD Bigger and Blackerer as well as the David Cross DVD of the very same name.
That track is fantastic. I've enjoyed the past Black Keys albums, but for some reason they haven't made it into my regular rotation. I may have to check this one out.
Stuart Cable, former Stereophonics drummer and a radio host for BBC Radio, has been found dead at his home in South Wales.
Police confirmed they were investigating the sudden death of a 40-year-old man at his home in Llwydcoed, near Aberdare, early Monday morning.
Cause of death was not given, but police said there appeared to be no suspicious circumstances.
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The group was the first signed by Richard Branson's V2 label in 1996 and released four hit albums before Cable left in 2003, amid a rift with bandmates over his budding career as a presenter and host.
Hey guys...I put together a little project last year and we recently released an EP. Kind of a mix of folk/blues with some electronic elements. You can download it for free if you want to give it a listen.
Mods, if this is against the rules or anything, feel free to remove.
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A few weeks after crashing head-first into the boards (denting his helmet and being unable to move for a little while) following a hit from behind by Bob Errey, the Calgary Flames player explains:
"I was like Christ, lying on my back, with my arms outstretched, crucified"
-- Frank Musil - Early January 1994
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New Tom Petty & the Heartbreakers album "Mojo" came out today. I'm listening to it right now and it's definitely not your typical Petty album. Very bluesy and a lot of focus on Mike Campbell, which I'm more than in favour of.
Tom Petty and the Heartbreakers have been one of America's greatest live bands since their first club tours and opening-act jobs, in 1976 and '77. Lethal garage-rock modernists with pop-hook savvy, they've always had the chops and empathy to make a studio record like Mojo: everybody in one room, going for the master take together and getting it fast. They just took 34 years to work up the nerve.
It was worth the wait. Mojo is dynamite – Petty and the Heartbreakers' matured return to the elementary fury of their first golden-twang era, capped by 1981's Hard Promises. The performances are natural knockouts – cocksure grooves, pithy knife-play guitars and little overdub fuss – worked up, then nailed, some on the first full take, at the band's suburban Los Angeles rehearsal space.
First single off the new album:
Last edited by rubecube; 06-17-2010 at 11:31 AM.
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Rolling Stone Combining the punk-funk fury of Devo's earliest recordings with synth pop, this ninth disc is frantic and wall-to-wall catchy (particularly Human Rocket).
All Music Guide While some will complain that the satirical social commentary just isn’t as razor-sharp, and that the wild, primal nerdiness of their first two efforts is long gone, the purposeful Something for Everybody is proudly not a nostalgia trip and is, instead, filled with age-appropriate subversion, right up to its ironic title.
Last edited by troutman; 06-16-2010 at 08:58 PM.
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digg this!
