Team Abe Vigoda is happy to select, in the Action/Adventure category,
The Six Million Dollar Man
Who didn't love this show as a kid? I even had the action figures. Too bad I don't still have them, I hear the Oscar Goldman one is worth a ton.
The Six Million Dollar Man is an
American television series about a fictional
cyborg working for the OSI (which was usually said to refer to the Office of Scientific Intelligence, but sometimes was called the Office of Scientific Investigation as well as the Office of Strategic Intelligence
[1]). The show was based on the novel
Cyborg by
Martin Caidin, and aired on the
ABC network as a regular series from 1974 to 1978, after following three television movies aired in 1973. The title role of
Steve Austin was played by
Lee Majors, who subsequently became a
pop culture icon of the 1970s. A spin-off of the show was produced called
The Bionic Woman.
The background story of the original novel and the later series is the crash of former
astronaut Steve Austin in a “
lifting body” craft, shown in the opening credits of the show (the lifting body craft mostly shown was a
Northrop M2-F2, however in the episode "The Deadly Replay", a
Northrop HL-10, identified as such in dialog, was used). Austin is severely injured in the crash and is “rebuilt” in a title-giving operation that costs six million dollars. His right arm, both legs and the left eye are replaced by "
bionic" implants that enhance his strength, speed and vision far above human norms: he can run at speeds of 60 miles per hour (100 km/h), and his eye has a 20:1 zoom lens and infrared capabilities. He uses his enhanced abilities to work for the OSI (
Office of Scientific Intelligence) as a secret agent (and as a
guinea pig for bionics).
Caidin’s novel was a best-seller when it was published in 1972 and was followed by three sequels,
Cyborg II: Operation Nuke,
Cyborg III: High Crystal, and
Cyborg IV (with no subtitle), respectively about a black market in nuclear weapons, a
Chariots of the Gods scenario, and fusing Austin's bionics to a space plane.
In the spring of 1973,
Cyborg was loosely adapted as a made-for-TV movie starring Majors as Austin (although usually referred to by the title
The Six Million Dollar Man, and that is the precise wording used on the original ABC broadcast, this film is sometimes cited by the longer title
Cyborg: Six Million Dollar Man). The adaptation was done by writer Howard Rodman working under the pseudonym of Henri Simoun. The film, which was nominated for a
Hugo Award, modified Caidin's plot, and notably made Austin a civilian astronaut, rather than an Air Force officer. Absent were some of the standard features of the later series: the electronic sound effects, the slow motion running, and the character of
Oscar Goldman (instead, another character named Oliver Spencer, played by
Darren McGavin, was Austin's supervisor, of an organization here called the OSO). The lead scientist involved in making Austin bionic, Dr. Rudy Wells, was played in the pilot by
Martin Balsam, then on an occasional basis in the series by
Alan Oppenheimer, and, finally, as a series regular, by
Martin E. Brooks. Austin does not use the enhanced capabilities of his bionic eye at any time during the film.
The first film was a major ratings success and was followed by two more made-for-TV films that fall —
Wine, Women and War and
Solid Gold Kidnapping (the former bearing strong resemblances to Caidin's second
Cyborg novel,
Operation Nuke; the latter was an original story), followed by the debut, in January 1974, of
The Six Million Dollar Man as a weekly hour-long series. The last two movies, produced by
Glen A. Larson, notably introduced a James Bond flavor to the series and reinstated Austin's status from the novels as an Air Force colonel; the hour-long series, produced by
Harve Bennett, dispensed with the James Bond-gloss of the movies, and portrayed a more down-to-earth Austin.
The show was very popular during its run and introduced many pop culture elements of the 1970s, such as the show’s opening catch-phrase ("We can rebuild him — we have the technology."), the slow-motion action sequences, and the accompanying “electronic” sound effects. The slow-motion action sequences were originally referred to as "
Kung Fu slow motion" in popular culture (due to its usage in the 1970s martial arts television series), but it became far more noteworthy in
The Six Million Dollar Man. (Early episodes, as well as the TV movies, were not consistent in how the bionics effects were presented; such consistency did not begin until the second season.)
In 1975, a two-part episode entitled "The Bionic Woman" introduced the character of
Jaime Sommers, a professional tennis player who rekindled an old romance with Austin, only to experience a parachuting accident that resulted in her being given bionic parts similar to Austin. Ultimately, however, her bionics failed and she died. The character was very popular, however, and the following season she was revived (having been
cryogenically frozen) and was given her own spin-off series,
The Bionic Woman, which lasted until 1978 when both it and
The Six Million Dollar Man were simultaneously cancelled.
Steve Austin and Jaime Sommers returned in three subsequent made-for-television movies:
The Return of the Six Million Dollar Man and the Bionic Woman (1987),
Bionic Showdown (1989) — which featured
Sandra Bullock in an early role as a new bionic woman; and
Bionic Ever After? (1994) in which Austin and Sommers finally marry. Majors reprised the role of Steve Austin in all three productions, which also featured Richard Anderson and Martin E. Brooks. The reunion films addressed Jaime Sommers' amnesia she suffered during the original series, and featured Lee Majors son as a new OSI agent. The first two movies were written in the anticipation of creating new bionic characters in their own series, but nothing further was seen of these new characters.
