Quote:
Originally Posted by Regorium
I doubt the NHL did the tip top analysis we've done using MS Paint in this thread, much less a thorough analysis like the blog did.
The question is why doesn't the "war room" have these projections, straight line markers and models at every single camera angle pre-programmed so that things like parallax, the tilted cameras and such can be assisted? My imagination of the war room is two old guys staring at one camera angle and making a decision just squinting a bit harder than the refs.
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I'm sure they have more than one camera angle, but I'm also pretty sure it's just some guys squinting at the screen real hard. I just can't see the NHL actually being technologically savvy.
I also strongly suspect that the TV channels have better people finding those best camera angles for TV than what the NHL uses in Toronto. (Simply because a good broadcast is worth money, but getting a call right isn't.)