08-09-2010, 07:43 PM
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#264
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In the Sin Bin
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Quote:
Originally Posted by Phanuthier
Went back for a 2nd viewing, even more convinced that the whole thing is Cobbe's dream and Mal may or may not be a manifestation of Cobbe's concious.
Mol in the hotel room - well, the reason I think it is because there are very few inconsistancies, but this just doesn't fit. So Mol trashed the honeymoon room, then took the elevator downstairs, crossed the street, rented another hotel room, went to the other building and got up on the window ledge there? You notice the honeymoon suite is trashed, but the room across the street Mol was on is untouched.
Running through (India?) shot. 15 min before this one, Cobbe talks about the the physical architecture being able to change within a dream. Watching it again, I can't tell if he was worming his way through the walls, or if he was actually stuck and the physical architecture of the walls changed on him. Also, the company hunting him down (forgot name) and the chase, it was almost like projections attacking him - similar to a dream.
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My assumption when watching the movie was that she simply went to another room she had rented in the same hotel. The architecture of the building was such that rooms might face each other. Why is the other room not being trashed any sort of issue at all?
I agree with the other poster who said Cobb is trying to go through the narrow opening without turning at first but when he becomes stuck he twists to go through sideways. I didn't find that part in any way questionable.
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